Aloha Steve and Danno at Summer Bay

The incorporation of icons like Radio Birdman into Australian mainstream life continues at a less than frantic pace. Words is - and I don't watch the show so it's hearsay - last week the band got a mention in a plotline between two characters on soap opera Home and Away.

Metro Times reveals Deniz Tek nearly became a Stooge

Probably the best and most comprehensive interview with Iggy and James Williamson you'll see this time around in the lifetime(s) of the Stooges has appeared in the Detroit Metro Times. Bill Holdship has conducted long interviews with both and has done a fantastic job.

Watch for the "Raw Power" original mix re-issue and ponder what might have been, post Ron, if Ig hadn't decided to put ex-Radio Birdman leader Deniz Tek on ice and pursue Strait James.

It's not too late on that front and reprising "Raw Power" songs surely needs a second guitar. Read it here.

Jonathan Appears

It seems BBC radio's persecuted/outspoken radio personality Jonathan Ross is a Radio Birdman fan. Considering what song to play upon his return from a 12-week suspension for making sexually suggestive remarks, he suggested on microblog network Twitter that the Radios' cover of "You're Gonna Miss Me" might be the go.

Even if he fluffed the song title and looks like he doesn't know it's an Elevators cover, that's still cool. Of the course the snooty Guardian newspaper thinks it should be Blondie but who cares?

Dr Tek in Sugar Hill supergroup

Sugar Hill Studios is an historic place in Houston, Texas, where you can apparently feel the presence of people who've worked there. Like Roky, the Stones, Roy Head and Janis Joplin. Ex-Radio Birdman soundie Andy "Mort" Bradley runs the show and recorded Hitmen DTK (circa "Moronic Inferno") and Deniz Tek there.

Dr Tek was back there this week to mix a live Birdman album from their final US tour (are you taking note!) and also to work with a combo of past clients to lay down "San Francisco Girls", a song recorded by Texan psych band Fever Tree in 1968 for a forthcoming tribute to the studio. Here's some footage for The SugarHill Gang.



Players included Deniz's ex-US Navy mate (and DTG 1992 Australian tour bassist) Dust Petersen and Fever Tree member Rob Landis.

Rock your vote

The Age newspaper's annual EG Awards poll is up and running. It's a closed-ended poll i.e. you only get to vote for one from a list in each catergory.

Elitist hipster scum that I am, I couldn't vote for much as very little of what's in these mainstream voting things reflects what's played around the I-94 Bar.

You might be in that boat too. If so, you can at least vote for the Best Australian Album Of All Time catergory. At the time of voting, "Radios Apepar" was only running at three percent. That's a bit sad - but you know what to do.

RocknRolla

You might remember an earlier post reporting that Radio Birdman's "Do The Pop!" had been included in this Guy Ritchie gangster movie. Yes it has - but it's barely audible.

The Scientists' "We Had Love" fared a little better, apparently. I haven't actually seen the film - I'm a 'wait for it on DVD' kinda guy these days.

Re-visiting the Visitors legacy

If you detect a degree of enthusiasm behind this plug for the CD re-issue of the 1978 recordings by Radio Birdman spin-off the Visitors you'd be correct and it's not because I had some minimal involvement behind the scenes.

The original Visitors existed for just a dozen shows in Sydney in 1978-79 but their songs (and a new line-up) live on. If you haven't heard their music, think the Doors meeting Birdman with a one-guitar-and-keys configuration giving extra space. The full review is here and pop over to Citadel if you want to score a copy.

One for the Birdman fans

The venue will be Mojo Music, in Sydney. Bring your own refreshments (Frank drinks Coopers.) And yes, it's well worth seeing this one, recorded by the Pip-less line-up that toured Europe.

Visitors CD shipping next week

The re-mastered re-issue of the Visitors' one and only album is shipping from Citadel Records Mail Order late this week or early next. If you can imagine some of Deniz Tek's best song-writing transposed over form Radio Birdman and fused with a one-guitar-and-keyboard-band with a different singer, you'll know what to expect.

The band plays The Empire Hotel at Annandale in Sydney next Saturday with Mick Medew & The Rumours (Brisbane) and 25th Floor in support. A must-attend, I would think.

Re-Book Him Danno

More scary news: Hollywood plans to re-make “Hawaii 5-O” and it will be themed around Steve McGarrett’s son Chris. The new version will be dubbed “Hawaii Five-O 2.0” and producer Ed Bernero has told Hollywood Reporter: "We will try to keep as much of the original as possible. I'm not trying to reinvent it." Hmmmm. We’ll see.

While that would normally be a cue to embed YouTube footage of “Aloha Steve and Danno” and another excuse to promote Radio Birdman, I’m opting instead for a link to a clip by “manualist” RA Wilson. Manualists apparently have something in common with primary school boys as they play farting sounds with their hands, but you have to admit that this is a pretty good rendition of the theme to the TV show.

"The 3rd Day of the 7th Month is when we'll ride the highway..."

...this being International Hand of Law Day, as dictated by the late Radio Birdman.

It's also the day Jim Morrison took one bath too many (although there is an alternate version of the story)...

...and friends of Brian Jones rued not knowing CPR.

Age critic poll puts Birdman, Saints near top

Melbourne's daily broadsheet The Age has been running one of those critics' polls you see from time to time, looking to provoke debate around the Top 50 Aussie Albums. Surprisingly, Radio Birdman comes in at number-three with "Radios Appear" with the Saints' "I'm Stranded" LP at four.

It's a shock because the critics are usually too young for anything more than 10 years old to figure. And this being a Melbourne-centric survey, it's even more of a trip to see the Birthday Party/Nick Cave didn't rate higher. At number 32 comes the Beasts of Bourbon but I think the album title's a typo, unless they mean the live album of a few years ago.

Top 50 Album Poll

1 1 Midnight Oil - 10 to 1
2 Skyhooks - Living in the 1970s
3 Radio Birdman - Radios Appear
4 The Saints – I’m Stranded
5 Hoodoo Gurus - Stoneage Romeos
6 You Am I - Hifi Way
7 Paul Kelly and the Coloured Girls - Gossip
8 INXS - Kick
9 Triffids - Born Sandy Devotional
10 AC/DC - Back In Black
11 Midnight Oil - Diesel and Dust
12 Crowded House - Crowded House
13 The Easybeats - Easy
14 Loved Ones - Magic Box
15 AC/DC - Highway To Hell
16 Sunnyboys - Sunnyboys
17 INXS - The Swing
18 Go-Betweens – 16 Lover's Lane
19 Hunters and Collectors - Human Frailty
20 Drones - Wait Long By the River and The Bodies
of Your Enemies Will Float By
21 Archie Roach - Charcoal
22 You Am I - Hourly, Daily
23 Avalanches - Since I Left You
24 AC/DC - High Voltage
25 Saints - Prodigal Son
26 Cold Chisel - East
27 Cold Chisel - Circus Animals
28 Died Pretty - Doughboy Hollow
29 Nick Cave and the Bad Seeds - The Good Son
30 Paul Kelly - Post
31 Richard Clapton - Tiger
32 Beasts of Bourbon - Low Life
33 Daddy Cool - Daddy Who
34 Birthday Party - Prayers on Fire
35 Rose Tattoo - Rose Tattoo
36 Even - Less Is More
37 AC/DC - Let There Be Rock
38 Flowers - Icehouse
39 Chain - Toward The Blues
40 The Easybeats - Anthology
41 Stephen Cummings - Lovetown
42 The Angels - Face to Face
43 Crowded House - Woodface
44 Go-Betweens - Liberty
45 Regurgitator - Tu Plang
46 The Whitlams - Eternal Nightcap
47 Silverchair - Diorama
48 The Church - Starfish
49 Master Apprentices – A Toast to Panama
50 Jet - Get Born


The panel:

Patrick Donovan, Andrew Murfett, Shaun Carney, Katy Steele, Chris Johnston,
Jo Roberts, Kylie Northover, Jeff Glorfeld, Michael Dwyer, Craig Mathieson, Barb Walters, Gary Munro, Larry Schwartz, Khalil Hegarty, Patrick Smithers, Karl Quinn, Mahalia Barnes, Darren Seltmann, Stephen Cummings, Joel Ma, Missy Higgins, Andy Baylor, Dan Warner, Ella Thompson, Phil Gianfriddo, Clinton Walker, Mary Mihelakos, Neil Wedd, Keith Glass, Laura Jean, John Watson, Rae Harvey, Murray Engleheart, Jeff Jenkins, Billy Pinnell, Neil Rogers, Amanda Roff, Dylan Lewis, Clem Bastow, Bruce
Milne, Ella Hooper, Ian McFarlane, Brian Wise, Kath Letch, Ed Nimmervoll, Ed St John, Patti Revson, Stuart Coupe, Michael Gudinski, Sarah Morgan, Craig Kamber, Brian De Courcy, Jane Rocca, Vivian Lees, Warwick Brown, Paul Oldham, Dave Laing, Steve Cross, Steve Tauschke, Michael Coppel, Karen Leng, Kav Temperley, Emily York, Robbie Buck and Glenn A Baker.

Do The Pop to hit the silver screen

Radio Birdman's "Do The Pop" has been licensed for use in a forthcoming feature film to be directed by Madonna's other half, Guy Ritchie. With her listening to the Stooges and him cocking an ear to Birdman around the house, their kids must have been getting a varied musical education, prior to the separation.

Visitors live 2008: Living World

From the revived Radio Birdman-outgrowth's recent support spot to the BellRays in Brisbane. Pity you can't hear Pip.

Klondike is Next Big Thing in Scotland

At the risk of wearing out the welcome, here's a review of the Klondike's North 40 album that had to be shared because it's so good. The author is Lindsay Hutton from Scotland, who used to run the wonderful Next Big Thing zine from the '70s/'80s. He now blogs here:


Klondike’s North 40 – The Straight Path (I-94 Bar)

The esteemed Antipodean info-portal is now a label and what better way to kick off such a venture than with Chris Masuak’s current outfit. I know that most of you folks of a certain vintage are familiar with this guy’s guitar slinging prowess. However, there may be readers that fell by here by accident so let’s address that possibility. Chris is the Australian Ross The Boss and Scott Kempner sort of rolled into one. His work with The Hitmen (Shock has just reissued two sets to prove it) and Radio Birdman is the stuff of legend. Heck, he was even on the Manitoba’s Wild Kingdom album. We’re not dealing with chopped liver here.

Several generations of rock’n’roll kudos are wrapped up in all this. Old and in the way but positively bustling with that trademark stringbending. “Recipe for Disaster” takes place in the good old Four Winds bar. A tale of a bona fide catastrophe. “The Straight Path” is a head-banging example of a man wearing his indulgences well. It might introduce younger folks to these at the same time as it pushes the buttons for those of us who miss those rolls in the thunder. BOC fans will find much to transport them back to their old haunt. Screamin’ dizbuster cocktails all round.

The place where this would work most effectively is presumably in a club, louder than hell in a churchlike environment. The surf/metal cut and shut of “Gershwin May Consider” is a prime example of what is and always shall be the holy grail of our raison d'être here at this cyber rag.

Cate's husband's Radio playlist Appears

You probably Cate Blanchette’s name better than that of her husband, playwright Andrew Upton, who’s working with his missus as co-director of the Sydney Theatre Company.

But did you know he was interviewed on Australia’s national ABC Classical Radio recently and 'fessed up that his favourite band of all time was Radio Birdman?

Here's the playlist for his interview:

Blind Willie McTell - Bob Dylan
Preludes and Fugues: Fugue No 4 in E minor - Konstantin Schubakov
Alabama - John Coltrane
Aloha Steve and Danno - Radio Birdman
The Sorrowful Wife - Nick Cave and The Bad Seeds

Guess the Dylan song was a no-brainer, considering his missus has played him on-screen.

Halfway Round The World

Been a long time between posts but don't take it personally. The Barmaid and I have been holidaying overseas, paying a visit to London, France and Kruger Park in South Africa just to mix things up.

In London, I was lucky enough to hook up with an ex-flkatmate Captain Philpott, my Birdman-obsessed Pom mate Jelly and Carlton Sandercock of Easy Action Records. Pints of beer were consumed.

In Paris, we were scheduled to meet up with Eric and Vinz of Holy Curse only to spot them in the unfamiliar vicinity of the Picasso Musueum, running an errand for Radio Birdman, believe it or not. We went to a dinner party hosted by Vinz and his wife Sophie and populated by heaps of mutual friends, and I caught Vinz playing with Dimi Dero Inc the night after. Dimi Dero Inc supported The Drones on European and Australian tours in 2007 and will be back in Australia in March '08.

A side trip to expat Aussie Greg Bowen's Funhouse Pub in Morlaix, on the Brittany coast, was a diverting cultural experience (piss up.)

As for the African leg of the trip, visit the blog of noted Australian author and our hostsAfrica Man and his wife Africa Woman for details. Suffice for me to say that you've not lived until two lionesses have sprung up out of the grass 30m away from you while you're on foot and all wine, beer and spirits should always be a third of the price it is back home.

Closer to home, the Klondike's North 40 CD "The Straight Path" was launched via gigs in Sydney and Melbourne while I was overseas. Thanks to all concerned. The album is available in the I-94 Bar Shop and all good retail stores.

Further afield, lovers of Detroit music will doubtless be interested in The Metro Times' lkist of the Top 100 Detroit Songs here. These lists are always academic but this one does give a measure of the quality of the music that's come out of the Motor City down the years.

And in a similar vein, the next album from trans-Atlantic (that'd be Michigan-via-Sweden) soul big band The Solution is out on December 27. This is the band led by Hellacopters guitarist Nick Royale (behind the traps) with Scott Morgan on vocals. I've been lucky enough to hear an unmastered version and it smokes.

Do Some More Pop

More news from the Shock Records camp (the desk of Dave Laing, actually) and you know you're going to need this:

DO THE POP! REDUX CONFIRMED FOR DECEMBER!
Acclaimed collection of '70s/80s Australian Punk & Garage Rock to return in new 3-part series, while classic '81 & '82 albums from the great post-Radio Birdman/pre-Hoodoo Gurus band get the deluxe treatment.

2002's acclaimed collection 'Do The Pop! The Australian Garage Rock Sound 1976-67' returns in October on Savage Beat! Records though Shock under the name 'DO THE POP! REDUX'. Like the original collection - which received substantial acclaim internationally, including a full page feature review in 'Mojo' and a rave review from David Fricke in American Rolling Stone - the new set differentiates itself from other Australian punk and post-punk collections by following the unique high energy rock'n'roll sound that spewed forth here in the late '70s and '80s, following the lead of Radio Birdman and The Saints. The new project will be spread over 3 new double discs each released two/three months apart, and is set to feature over 150 tracks, none of which appeared on the original set in 2002 .

'DO THE POP! REDUX Part One' will kick off with the first ever CD release of a rare track from Deniz Tek's pre-Radio Birdman outfit TV JONES before showcasing THE SAINTS and BIRDMAN themselves (Birdman are profiled with the album's title track as well as a rare live track from one of their legendary Paddington Town Hall shows). Punk era acolytes including THE PSYCHO SURGEONS, THE SURVIVORS, THE VICTIMS, JOHNNY DOLE & THE SCABS and RAZAR follow, as do X, perhaps the only Australian band of the original punk era whose reputation rivals that of Birdman and the Saints in some quarters.

Part One then proceeds to revel in the rock'n'roll spirit that took hold in Australia at the turn of the decade, at the very time the rest of post-punk world was proclaiming rock dead. THE SCIENTISTS, THE FUN THINGS, THE SUNNYBOYS, THE LIPSTICK KILLERS are amongst the bands of this period, as are Birdman offshoots including THE HITMEN, THE VISITORS and NEW RACE. Rare tracks from Brisbane's THE 31st (fronted by Ron Peno) and Perth's ROCKETS will also be featured. Melbourne fans will be happy to note that their hometown, which wasn't represented on the original set because of its narrower focus, is represented by a number of punk era bands, including BABEEZ, THE CHOSEN FEW and even the legendary REALS, featuring Garry Gray, Chris Walsh and Ollie Olsen, recordings of whom have never previously seen the light of day.

Volumes 2 & 3 will follow, covering the multi-faceted garage rock scene of the 80s as it explodes out of Sydney and takes hold around the country, and ultimately around the world. Expect killer tracks from a range of bands big and small - from THE HOODOO GURUS, GAS BABIES and WET TAXIS to THE JOHNNYS, CELIBATE RIFLES and SPIKES -all of whom drew heavily on the influence of 60's and 70's garage and punk rock.

Saintly thoughts on a war with the Church

SBSTV (translation if you're overseas: the state and partially-commercially-funded TV network where English may not be the first language spoken) in Australia recently broadcast a documentary on the recording of the first Saints album. It was a mixed bag, with no real linear focus that didn't say much new. It did, however, feature some spiffing interview footage with the boys that I hadn't stumbled across before.


Last weekend, Ed Kuepper used his myspace to let looose a few thoughts on the whole package. No Ed, others did notice the lack of authentic soundtrack underneath the live footage from Paddington Town Hall (billed as "Live at THE Town Hall" - wtf?) and I'm still wondering why Jeffrey Weggener was billed merely as "a friend" of the band when he was one of the original drumers. Anyway, here's Ed's thoughts if you're not myspace equipped:

Saturday, August 25, 2007

some reflections on the saints doco

Watched the tele doco on the saints the other week, which as you all know was part of the greatest music of all eternity series. I felt a funny mixture of pride and slight unease when it finished and it was touching to see so many artists speak so freely and enthusiastically about my old band, especially when you consider no one had to pay them.

Anyway, after a couple of cigarettes, a glass of single malt and a few moments of quite reflection, I put it back into the past, where it probably belongs, and promptly forgot about it.

Then some days later, out of the blue the missus happened to stumble upon steve kilbeys blog about said doco and called out to me '' 'ere luv! It's lookin' like some blokes puttin' shit on yew an' yer good old mates'. The 'vibes' I picked up from her comment were so terrible and unnerving gentle readers, it was as if a lightning bolt had exploded smack dab into the heart of my carefully tended garden of inner tranquility.

I have to confess, I was initially inspired to write something in reply to his observations, but decided in the end, that arguing the validity or otherwise, of my old high school band was not going to be the basis of my first ever blog.

Anyone's entitled to an opinion I guess.

I also have to confess i didn't like much of that tepid, neatly anal little eighth-note, mincey 'new wave/new romantic' stuff that came into fashion a few years after the saints split, so I guess I shouldn't be surprised if its keenest adherents and their advocates, aren't too enamoured of me and my slightly more rough and tumble musical approach... but enough of that and onto the documentary itself.

I thought it was fairly good as an overall account- sure it didn't deal with everything, but then it was only 50 minutes long, and even I'm not that much interested in all the sordid goings on after the band split anymore.

It was good seeing the live footage again after all these years, though at times i did feel like i was watching my son on stage, which made me wish I could have given my younger self some good advice about certain things/people and their devious ways etc etc, but to be honest, I probably wouldn't have listened or believed it at the time anyway.

It did also become apparent that the original saints must be one of the most undocumented bands in the history of rock'n'roll. Hardly any photos, recordings and no videos exist of the three years prior to 1976.

I know we were even uglier than The Who but still....anyway I guess the people that did care about the band in those days were either too broke to afford the gear, or just not together enough... anyway those were different times certainly [kudos here to both Joe Borkowski and Tony Forde for their foresight]

The producers however made good use of the limited footage they had access to. It was a shame they couldn't get clearance for actual audio of the live radio birdman video footage they used.
Still, they managed to cover it ok with the snippet of instrumental saints stuff that they added under it - but it did strike me as funny because back in the day i thought the two bands sounded completely different, still do really. Anyway it's a small point and it was just a few seconds- besides I'm probably the only pedantic bastard that noticed

As an aside, I didn't like much contemporary stuff in those days but I did think radio birdman were a great live band and our only serious competition at the time.

Two things about the doco though....

Firstly, i was a bit disappointed that there was no contemporary interview with Ivor Hay,

Maybe Ivor declined to be involved for reasons of his own– I don't know- he is doing a roaring trade in environmentally friendly coffins these days, anyway i do think he would have added a valuable perspective.

Ivor was in it from the very start and was crucial to holding the band together, having at various times played piano, bass and drums- whatever was required really. Whenever we had problem keeping a fourth member, which was a lot of the time, Ivor would fill the vacant position.
Anyway it's questionable whether we would have lasted long enough to record without him.

Secondly, and a minor point maybe but I'll make it anyway because I am so pedantic, was the description of Jeff Wegener as 'friend' in the subtitle under his brief interview spot. I wonder who came up with that.

Jeffrey, for those of you not aware of this, was one of the earliest drummers in the Saints at a time when Ivor was playing bass. I remember this quite clearly as in fact it was i who encouraged him to take up the instrument and taught him how to play before of course, turning around, and heartlessly kicking him out of said band after we had a philosophical discussion about whether drummers should, or should not bother to turn up to rehearsals .

This is the deal folks, I've been friends [as have the others in the band naturally] but I've also been enemies with Jeff over the years, and I thought he should have had a more informative credit than 'friend'.

It kind of made him sound like the mate that helps carry the gear, buys you smokes when you're broke or listens to your problems when you're down.

Don't get me wrong, I really like those kinds of friends, but let me assure you oh wide- eyed and bushy- tailed innocent readers… Jeff doesn't actually do any of those things.

He does however work with/for me again these days, did play with Rowland Howard in the Young Charlatans, was a founding member of Laughing Clowns [the worlds greatest jazz punkers who didn't play jazz or punk], did a stint with Nick Cave in the Birthday Party and even played briefly in a later version of the Saints.

Admittedly, he has had long periods of musical inactivity due to personal stuff, but is still recognized as one of the more innovative/unique drummers around the place by those folk who listen out for that type of thing, and don't have their own axe to grind of course.

For instance musicians as diverse as Jim White from Dirty Three and Lindy Morrison of Go-betweens fame acknowledge him as a major influence. From my own perspective he can be both musically astute and literate, and in full flight is one of the most err …'kick-ass' drummers I've seen. He can even be engaging company when he's not totally insane, or driving me so.

Anyway, that'll be fifty bucks ,thanks Jeff

Ed Kuepper 24/8/07

So, for the record here's Steve Kilbey's blog entry that caused the Kueppers some mild annoyance:

i dont know what you want
its not even 8 oclock in the morning here
sunday morning coming down fast above you
i need to write something though
and fast
all day n night my mind is bubbling over with ideas...
muse : just show us the good ones
i watch show on the saints
except for one good song..
what a bloody awful racket!
and how amazingly like lord byron bailey speaks
muse : have you actually ever heard lord byron?
no, but i bet he sounded like bailey
ed was lugubrious as usual
wry and lofty
what strange rockstars these 2 were...
damo lovelock waxes v. enthusiastic
even nicky cave wades in with his top drawer praise
to hear these guys talk
youd think the saints were like
guitar weilding tchaikovskys or somethin'
opening up some huge new possibility in life
bobby forster
a man of impeccable taste i guess
goes so over the top
with his descriptions
of the 1st time he heard im stranded
electric pulsations going up his feet and spine
leaving him prostrate breathless
at this stage i says to the wife
an' you thought i was over-enthusiastic last week......?!
bradley sheppard from the goo-roos
is mystified by its eternal punk enigma
look the list goes on...
but what im really thinking
cos the saints
i admit to not understanding
in the parlance of shallow hollywoodesque cant
i dont get it
i didnt then
i still dont
i dont hate em either
theyre just outside my sphere of reference
(i used to have prehistoric sounds and it was ok)
and it occurs to me
that richard n marty both played with bailey
at different stages
but one thing you gotta admit
is that the saints had that raw sound
before most others
in the middle of the very confused 1970s
they were no namby pamby glam turkey like moi
i guess i jumped straight over punk
from glam to psychedelic comeback
in one fell swoop
like a knight on the chessboard
arriving at different places unexpectedly
actually i watch saints show
to re evaluate whether i would like staff-ish on there
is it a classic australian album album?
do i want a load of lumineries saying how great it was?
muse: i'd say so....
do i want to be on there raving on about myself?
muse : i bet you do....
do i want a load of mega successful hipsters
saying how they nicked everything from starfish?
muse: you might want it...but it aint gonna happen...
and you have no control
there i'll be
in a shiny empty recording studio somewhere
oooh look doris...its steve fucking kilbey
oh boris...he looks like one of the nine mortal kings
i dont like that silly beard
hes got a good suntan though boris
oh look there he is when he was still glamourous(sigh)
i wish hed stop going on about himself.......
......and saying all those big words
....and comparing himself to his betters
.....and smirking....god thats annoying
...and touching the silly beard
.....and dropping in foreign phrases like zeitgeist n je ne sais quoi
.....and looking bemused and self satisfied
.....clearing his throat before weighty pronouncements
.....rubbing his hands together smugly
.....long rambling answers full of tedious details
.....putting on his english n australian accents, i mean, which is it?
....hey doris
what boris?
the shows over
damn!
i wanted to hear that one good song!
which ones that ?
you know la la la dah dah
oh yeah
the one they did in that tv show
thats right
i wanted to hear what he said about that....
why wouldya.?...itll just demystify it for ya, dear...
ah youre right doris
youre so right

Yes, I'm afraid the entire Kilbey blog is written like a haiku with loose bowels.

At least the double CD of Church singles I'm spinning today is more coherrent(although some of the early lyrics still smack of Verlaine worship.)

Steve and Danno win their New Race

Here's some YouTube action of Radio Birdman at the recent Hall of Fame thingo, cranking out Aloha and New Race. Thanks to Steve Anderson in Perth for the tip.